實用性不強、制作工藝不佳、修繕難等問題也讓部分四川綿陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)鼐坝^小品成為城市里尷尬的存在。 四川綿陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)鼐坝^小品是景觀工程中不容輕視的重要節(jié)點，它們能把景觀元素巧妙地串聯(lián)，形成有序的系統(tǒng)，進(jìn)行有機、美學(xué)地融合，城市視覺形象及文化內(nèi)涵。“一個區(qū)域內(nèi)的四川綿陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)鼐坝^小品應(yīng)該是風(fēng)格統(tǒng)一的，它的作用是‘1＋1＞2’，而不是相互獨立、零散的個體，但目前定海城區(qū)的四川綿陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)鼐坝^小品風(fēng)格不夠統(tǒng)一?！彼拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)鼐坝^小品改造工作從無到有，再從有到優(yōu)是一個較為漫長的過程，部分區(qū)域缺少四川綿陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)鼐坝^小品，也有一些四川綿陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)鼐坝^小品僅僅是單獨存在，沒有特色和意義，缺少文化意蘊，讓人過目即忘。 “我們計劃將更多四川綿陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)鼐坝^小品連點成線、連線成面，發(fā)揮四川綿陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)厮拇ňd陽當(dāng)?shù)鼐坝^小品的連片效應(yīng)，形成景觀休閑帶，凸顯定海的文化品質(zhì)?！崩缒壳巴七M(jìn)的“海之歌”景觀工程，其原先的設(shè)計風(fēng)格非常西式。